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1. #SAFFIRE MIXCONTROL AUDIO THROUGH ONE EAR FULL#
2. #SAFFIRE MIXCONTROL AUDIO THROUGH ONE EAR PRO#
3. #SAFFIRE MIXCONTROL AUDIO THROUGH ONE EAR SOFTWARE#
4. #SAFFIRE MIXCONTROL AUDIO THROUGH ONE EAR MAC#

#SAFFIRE MIXCONTROL AUDIO THROUGH ONE EAR MAC#

Note that the Mac mini also uses a power plug without the earth pin.

#SAFFIRE MIXCONTROL AUDIO THROUGH ONE EAR PRO#

The problem never appeared when the PRO was powered through the included external power supply. I noticed a small problem when the unit was powered via Firewire bus - occasional noise appeared in the guitar signal chain and it seemed to have some connection with what was going on with Mac mini that the Saffire was connected to. Saffire PRO 24 vs Saffire PRO 14, information taken from user guides downloaded from (FA0268-02, FA0415-01) These are differences in A/D and D/A dynamic range of both units: Parameter With input gain set to 3.5/10 there's more gain than on other interfaces with gain set to 5 or 7.Ĭompared to the PRO 24, the PRO 14's guitar inputs sounds a little bit better.

Without processing recorded guitar tracks sound full, dynamic and natural. They have plenty of clean gain and sound nothing like most digital devices with instrument inputs. Hi-Z inputs are really exceptional in this unit. It's not as tight sounding as Presonus Firestudio Mobile, but it has a nice character of its own. The PRO 14 sounds pleasantly with soft low middle range and enough clarity to my ears.

#SAFFIRE MIXCONTROL AUDIO THROUGH ONE EAR SOFTWARE#

This interface has pretty much standard features, but what's interesting is a software loopback stereo input which allows recording the output mix of the device.

#SAFFIRE MIXCONTROL AUDIO THROUGH ONE EAR FULL#

Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customizable software to cover every possible monitoring need, providing a set of controls for any set-up from basic stereo to full 7.1 surround.The Focusrite Saffire PRO 14 is a firewire audio interface for PC and Mac computers. A dedicated stereo monitor mix TRS output features pads for improved sound quality when connected to active monitor speakers, while an ‘anti-thump’ circuit protects your monitor speakers from spikes when booting up or shutting down.

Two independent headphone buses are provided, each with their own level controls available on the front panel. It features unparalleled output routing and monitoring, as well as intuitive one-click options, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes. Saffire MixControl, the ultra-low-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface control. Front panel five-step LED metering for each analogue input offers accurate viewing of levels. Every mic pre features phantom power, with the first two channels also featuring -9dB pads for additional headroom. In addition, ADAT I/O, stereo S/PDIF I/O and two virtual “loopback” inputs for routing digital audio between software applications are provided. In addition to the comprehensive monitoring options described below, there are eight TRS line outputs. Inputs 1 and 2 appear on the front panel and support mic, line and instrument operation, while the remaining six are on the rear panel and offer mic and line input functionality.

Two mic/line/instrument inputs are accessed via the front panel, which also provides two independent headphone monitor outputs.Īll eight main inputs feature combo XLR/TRS connectors and sense which is in use automatically. Designed with the sophisticated project studio owner or smaller commercial facility in mind, Saffire PRO 40 features a versatile 20 inputs and 20 outputs, including a complement of eight Focusrite mic preamps guaranteed to get the best out of any microphone, with minimal noise and distortion even at high gain.